Skip to main content

Circle of Karma -Bhutanese novel review

Circle of Karma

 

Authored by Kunzang Choden, a native of a small village in Bumthang District in  north-central Bhutan, Circle of Karma is the first English novel to emerge from the land of the druk (Bhutan),  the mythical dragon. Published in 2005, the novel instantly courted fame far and wide, and has since been translated into several languages. The novel had been short listed for the prestigious Elle Prix des Lectrices too. Choden was born in the year of the druk, or the year of the dragon, corresponding to 1952 in the Gregorian calendar. Since Choden was born into a prosperous family, her parents sent her to a convent school in Kalimpong when she was nine years of age. Choden recounts the initial difficulty she encountered in the school because, as is prevalent in Bhutan, she did not have a surname attached to her first name. Moreover her father’s name was Kunzang Dorje and the Reverend Mother of her school refused to believe that the father and the daughter shared the first name but the surname was different! How could that be possible?  After finishing her school Choden went to Delhi and joined the   Indraprastha College for further study. She did her B.A. Honours in Psychology from this College. Later on she also did B.A. in Sociology from the University of Nebraska, USA. Presently she lives in Bhutan with her husband, a Swiss gentleman, two daughters and a son. She is a prominent member of civil society in Bhutan and she is held in high esteem.

 

(Kunzang Choden)

The Circle of Karma

 

The central protagonist of the novel is a poor village woman named Pema Tsomo. The novel’s narrative is woven around this woman’s life and time in the then contemporary Bhutan about seven decades earlier. In some way the story is autobiographical because many of the incidents depicted in the novel mirrors the author’s personal experiences in a subtle manner. There are such resonances in the narrative that could be echoes from her early life. 

Pema Tsomo is one of the thirteen children of her parents and, amongst them, she is the eldest girl child. In a traditional rural household being the eldest girl child meant that Tsomo had to do all the domestic chores along with her mother. This practice is widespread in all societies that give preferential treatment to the male progeny. About seven decades back Bhutan did not have formal schools hence most of the male child of the day joined monastic schools to become monks. In those days girl child was never encouraged for education. Instead they were taught to be responsible house wives, to take good care of their husbands and bearing and rearing children. Tsomo, as a child, wanted to study but her father would not allow her. Her brothers and other children of the village used to study under her father but she had to be busy doing unending round of domestic chores. 

At the time of Tsomo’s birth the astrologer had said that the child would enjoy a long life and will travel extensively, but she will have a chequered life. Later, Tsomo asks her mother, “Where is the furthest I can travel to?” The mother replies, “…where can a girl travel to? Perhaps as far North as Tibet, and as South as India.”

Tsomo’s mother dies while giving birth to the thirteenth child and the responsibility of looking after her siblings falls on her tender shoulders. Her maiden journey begins with the first death anniversary of her mother. She decides to go to Trongsa Monastery to offer prayers and to light butter lamps for her mother’s soul. It is on this journey she meets Wangchen whom she marries upon return from the Monastery. In due course of time she becomes an expectant mother but, sadly, gives birth to a stillborn child. Tsomo also develops an ailment with a swollen belly that gives her much pain and anxiety. Due to these reasons Wangchen starts disliking her and, to Tsomo’s utter consternation, falls in love with her younger sister, Kesang! Conjugal life soon becomes excruciating for Tsomo. She leaves her home without letting anyone know of her intentions.

She starts working as a labourer in a road construction projects far away from her village. But when the construction team moves closer to Thimpu she decides to go to Kalimpong as she is afraid of meeting someone from her village or relatives and she resolves that she would return only when she proves of her worth and becomes a successful person. Besides  her brother was a disciple of a monk of great renown, Karsang Dorje Rimpoche, and was staying  in Kalimpong. But she does not stay long in Kalimpong, she moves on to Bodhgaya, and from Bodhgaya she moves to Kathmandu. After some time she travels to Tso Pema, a holy Buddhist site in north India and visits the holy lake at Rivalsar. Here she meets Lhatu whom she marries in due course of time. Tsomo comes to Delhi with her husband and stays in the Indian capital for a while. Lhatu, her husband was once a protégé of a great Tibetan Rimpoche who is currently settled in Dehradun. This connection takes her to Dehradun and to the famed Rimpoche whom she serves with great devotion. Noticing Tsomo’s pestering abdomen ailment the Rimpoche advises her to go to a white doctor sahib in Mussorie. The white doctor performs a surgery on her and she is cured at long last. Once cured, Tsomo and her husband travel back to Kalimpong. But as luck would have it, Lhatu also turns out to be a deceitful husband because, as Tsomo finds out, he had  married again with a young girl in Phuentsoling.  For the second time Tsomo separates from her husband and decides to become a nun.

Causality, the central theme in Buddhism, is the leitmotif of The Circle of Karma. As per the Buddhist concept of causality, or karma, our present life has an inalienable connection to our past life. Thus the happiness and the sorrows we enjoy and suffer in our present life are proportionate to the quantum of merits or demerits we have accumulated in our previous lives. Human beings wade through their respective realm of existence in a perennial cycle of births and deaths until one accumulates enough merits that pave way for the person’s nirvana. But it is also believed that, sometimes, all our karmas, good and bad, get manifested in a single life. Tsomo’s life is a singular example of this rare phenomenon. Tsomo had married Wangchen without realising that he was already a married man with a child. It was Tsomo’s deplorable action, or bad karma, to marry Wangchen without verifying his antecedents and cause miseries to his wife and the child. The bad karma thus earned by Tsomo results into her two unsuccessful marriages. Thus, burdened by her bad karma, she goes on a pilgrimage tour of holy places, serves high lamas and monks with unstinted devotion, and receives blessings from them in return. Merit thus earned results in her being cured of the pestering disease and, even though for a short period, enjoys happiness in her second marriage.

Circle of Karma is a novel with a powerful feminist voice. Contrary to the conventional belief that our traditional tribal culture has ingrained safety mechanism for the welfare of the womenfolk, Kunzang Choden questions the very foundation of this myth that is so deeply entrenched in our society’s psyche. The author skilfully highlights the appalling marginalisation of women in every segment of society dominated by masculine value system.

Kunzang Choden has presented a fictionalised version of the Buddhist Way of Life in a simple, but effective, rendering of the plight of the feminine gender. Although the novel do not display high literary techniques and basically is a realistic one the author is quite successful in weaving a paradigm of a multi-structural narrative. Readers can find simultaneous descriptions of the rural Bhutan, a subtle introduction to the Buddhist Way of Life, the position of women in the traditional feudal Bhutan, and, lastly, the searing saga of a woman who struggles to rediscover herself and her realisation that for any person whosever he/she might be that the only relation that remains is to oneself only.

The Circle of Karma remains with you long after the novel is put on the bookshelf for a revisit.

Pempa Tamang

 

 

 

 

Comments

Popular posts from this blog

अगमसिहं गिरी (युद्ध र योद्धा ) आलोचना

             युद्ध र योद्धा : एक पठन                          पेम्पा तामङ      अगमसिहं गिरी भारतीय नेपाली साहित्यमा सर्वाधिक चर्चामा रहेको कवि हो। उनलाई मूलतः स्वछन्दतावादी कवि र जातीय कवि भनेर आलोचकहरूले चिनाएका छन भने कही कही अस्तित्ववादी भनी परिचय दिएको छ। उनका प्रारम्भिक कविताहरू भावनात्मक र करुणामय थिए यसैले उनलाई दुखवादी पनि भनिएको  हो। गिरीका कविताहरू आम चलनको भाषामा लेखिएका र प्रतीक र बिम्वको जडान थोरै रहेका छन। सरल , सहज र बोधगम्य रहेको हुनाले आम पाठकबीच लोकप्रियता बडी रहेको थियो। जीवन , मृत्यु , दुख , बिरह उनका कविताको भावलहरी रहेको छ। कल्पनाको निर्बाध उडान र जीवन परान्मुख रहेको मानिन्छ। जीवनलाई यसरी हेर्ने दृष्टि छायावाद र स्वछन्दतावा भनेर चिनिन्छ। हुनत छायावाद र स्वछन्दतावाद यी बाहेक अन्य पनि हुन। स्वच्छन्दतावादको प्रवर्तक विलियम वर्डस्वर्थको लेखन सिद्धान्त कविताको भाषा आम मानिसको बोलीको शैलीमा हु...

Remika Thapa's Farak Baato

 Two novels of  Puspa Rai                         Pempa Tamang   “Farak Baato”  or “Different Road”  is the title of the critical  book  written by Dr. Remika Thapa. As the title suggests Remika highlights the alternative  point of view proposed by Ms Puspa Rai in her two fictional works namely “Bholiko Pratikshya” or “Waiting for Tomorrow” and “Madhyantar” or “Interval”. Dr. Remika maintains that Bholiko Pratikshya is the first feminist novel in Indian Nepali Language and consequently Puspa Rai has become the first feminist novelist  in Indian Nepali writings.   The two novels can be called duology as the second novel follows the theme of earlier one. The main characters of the fictions are women in both the novels.  The first novel “Bholiko Pratikshya” is about women’s  independence in choice of her existence and her life. It is about the motherhood outsid...